Sunday, February 8, 2015

Aalemane.....A taste of the Jaggery Festival


A taste of the Jaggery Festival | Kabbin Habba

Arpita Gaidhane

You walk into a limbo of sorts, where time doesn’t quite match up. You know that you have come from the busy lands of urban living, where efficiency and precision are the highest values. You work hard, make yourself a part of the world around you and adjust to modernity but something doesn’t feel right. Now, in this limbo, your heart sings to a tune that you seem to have forgotten, but you recognize deep within yourself.



There is a freshly built centre in the middle of a forest. It is nestled in a valley, surrounded on all sides by hills where birds sing and insects chirp. The red brick of the centre is reminiscent of local architecture, melding into the land, and the eons that have evolved these two levels of sloping roof and spread out design. Water springs naturally behind the centre and irrigates the land around you without any need for electricity. As you enter, like-minded people express their fascination, waking from a slow slumber and remembering something that connects them to this land and the nature that surrounds it.

You are here for the jaggery festival with BuDa folklore. You have heard that they want to celebrate the harvest season once more in a region where land-based celebrations are dying out in favour of modern universal ones. They want to bring back the Aalemane Habba. You have heard that there will be delicacies and a carnival and it has you intrigued. How many delicacies could one ingredient possibly produce?

You experience the modern process first. A motor-run machine presses sugarcane juice into a container that can concentrate 30 tins of jaggery. You are warmly welcomed onto the land and shown all the details of the process, followed by delicious food. The hospitality of the land enchants you, the urban stinginess and possessiveness melting away into the warmth of people’s invitations for you to eat more… innu swalpa! Just a little bit more!





You return to the centre with the chirping of crickets, the stars spreading a magical canopy of jewels overhead. The city almost made you forget your childhood memories of creating your own constellations among millions of glinting lights. The fragrance of local flowers and plants gently pervades the crisp cool air around you and contentment seeps into your bones.


When you finally get to experience the traditional process of jaggery making, nothing that the invitations said has you prepared. On one side, you watch fascinated, as bulls walk in circles around the gana to extract sugarcane juice. Where the modern process could extract 30 tins, this one merely produces three, but the romance of the experience is unmistakable.

You want to try pulling the gana too, so you dance your way to the growing line of fellow celebrators, and try your hand at pressing sugarcane. Elsewhere, what could loosely be called a carnival is at play. This is not like any mela you have seen.


Timmanna Nayak in his sugarcane farm



A small, intimate gathering of people converse and laugh together in a space outside Timmanna Nayak’s home. He is a small farmer, one of the dying breed that still produces jaggery traditionally. He nods quietly and smiles serenely, and it is easy for him to meld into the background and softly hold the space that is before you.

Somewhere, people are learning shedi art from a Hanmi akka  and somewhere they learn to weave baskets from river reeds. Sometimes dancers come along to share the ancient dances of their tribes, and all along, the mouth-watering smell of jaggery wafts in the air. You see expert cooks make Todadevu - unbelievably made only of two ingredients - sugarcane juice and rice atta, on the backs of tilted pots, and marvel at their skill to prepare this crisp, golden, almost transparent pancake.
Sugarcane juice, and a myriad of foods you have never heard of – Huriakki Hunde, Kadabu, Airavata, make their presence felt with their fast disappearance as people rush to sample every exotic taste.

This is not a mela, you realise, but an experience of something extremely rare, a culture that is rooted in its land. Where every element – from food and agriculture, to architecture, art, music, religion and dance, have evolved naturally from the needs of the earth, and belong completely to that region. You miss your roots and wonder what they might have looked like before the urban sprawl took over to make everything the same. You soak in the ambience, breathing a little deeper as if that breath can help you take back all that you are experiencing with your senses and your heart.


You want to take back every piece of art and craft, every delicious food as a memory and an experience to share with the world that you have to invariably return to. Maybe you’ll come back and maybe you won’t, but this experience imprints itself somewhere deep within you, to energise and refresh in the daily grind of city living. When frustration and deadlines, conflicts and disconnect erode your being, you will think back to this limbo – this time away from time, when you went to a centre deep within the forest and experienced what it means to truly belong to the land and to the earth. And when you glance over every once in a while at the artwork on your mantle or the basket on your table, you will sigh content, knowing that somewhere, somehow, that connection lives and thrives.

Tuesday, January 27, 2015

Weaving Colours of Love – Traditional Hand-quilting Workshop (IV Edition)

Weaving Colours of Love – Traditional Hand-quilting Workshop (IV Edition)

Arpita Gaidhane




“A Quilt is like an album of a lifetime of memories, and to wrap that around you when you sleep is lovely.”      
Faiza Ahmad Khan, Participant

Quilting Workshop 2015



The beginnings of the fourth edition of the Quilting Workshop by Nirmalakka arranged by BuDa Folklore started weaving together long before the conception of the programme. As past participants and urban folk in need to connect with their roots persisted in their demands, the dates of January 24th to 26th 2015 were frozen for a three-day quilting retreat in the serene and vibrant home of Savita Uday in Bangalore.




 Living Room of Savita Uday’s Home, Venue of the Quilting Workshop




Twelve participants from diverse backgrounds came together for three days, and as we sat in the first circle to get to know each other and begin an unanticipated process, what seemed to be a simple skill-based programme towards weaving fabrics together slowly revealed itself to be much more than that. Different people, different colours, different languages, different interests all fed off of each other to create an effect as diverse and as dazzling as the quilts themselves.









        
The processes of continuously quilting over three days, leaving all their worries behind, and getting to know other participants as their own sisters with different stories, ensured that the workshop was a rich, soulful experience for each participant. As Rama Narayanan, participant for the last Quilting Workshop and volunteer for the present one put it,
“Superficially it seems as though a bunch of women are chatting and quilting together, but really, it feeds the soul, whatever each participant’s journey may be. Long after the workshop is over and we have all gone home, we will feel the fulfilment that comes from deep soul-shifting in a joyful light-hearted manner.”

Interconnections

It was an early realisation that the workshop wasn’t just about learning the skill, but about the entire quilting experience. Ananya Mehta, participant, finds it important to know not just the product that she buys, but the entire process and journey that it goes through before becoming that final product. This inspired her to join the workshop.

Hours of painstaking work made it obvious that the journeys of a quilter are long and arduous, with laughter and pain woven in with the colours and threads. When different quilters completed their work with different speeds, the entire experience became a community effort towards weaving not just their own, but everyone’s quilts. An activity on the second day called Circle of Love called for quilters to swap quilts for half an hour to be part of each other’s memories and to let go of the common deep-rooted ideas of competition and completion. Quilter Rashmi Patel said that this process for her has been about slowing down and noticing the journey, not just racing towards the finish line.





Image 3: Quilters Kalpana Subbaramappa (left) and Anuradha Narayanan with their swapped quilts during the Circle of Love

As participants expanded their own awareness, noticing the time that they could spend with and for themselves, especially in the context of being busy Indian women vested in their families, there were often deep conversations about connecting not just to each other but just with themselves and the silence and meditation that quilting brought them. For Latha Sekar, it was an intense journey of the self to be present to the process of quilting in entirety through three days. The youngest participant, Swarakshita, a sixth grader, found that she had a similar experience of joy being with her quilt, even though the conversation and context around her was of alien adult experiences.

The last important connection that the quilters experienced besides self and each other, was the connection across time and space to ecology. There was a deep realisation of the sustainability of using fabric patches from used clothes, and an unforgettable connection with the stories woven into the fabric. Storyteller Kalpana Subbaramappa wants to be able to tell stories with her quilts in the time to come as she progresses in her art, just as stories are already being formed with the clothes of loved ones that were lovingly woven into quilts.









Image 4: Rama Narayanan contemplating her meal

Laughter and Madness





What sounds like a deep inquiry of the soul was in fact interspersed with moments of fun and joy. The whole house would reverberate with laughter when Nirmalakka would amusingly chide different quilts, and when deep concentration had one of the participants stitch their own dress to their quilt! The food was a definite highlight, homemade with loving care by the BuDa team and Swati, who accomplished the superhuman task of quilting and cooking simultaneously. Local hints of the Honnavar cuisine like kokam, Tambli (flavoured buttermilk) and bella (liquid jaggery) danced with popular items like chole and rajma. Rama cheered everyone on on the last day with special chocolate cakes to celebrate the conclusion of the quilts, and Sara, intern at BuDa, delighted everyone with fresh homemade chocolate chip cookies.




Music floated around as different people took turns to entertain, with tunes and genres of all kinds dancing around the house.
 Image 5: Anvay, Sara and Arpita singing to cheer on the last stage of intense quilting




Conclusion and Highlight

The most beautiful moment for the workshop for me, although there are too many beautiful ones to count, was the concluding ceremony. The tradition in Uttara Kannada, explained Nirmalakka, is that the quilt is someone being brought to life, and quilters make sure that it doesn’t go hungry by feeding the last pocket with food. The feeding of the quilt was done with everyone gathered around to witness the enlivening, and followed by a naming ceremony with each one naming their quilts. Swati and Smitha dedicated their quilts to Nirmalakka’s guidance and love, whereas others named their quilts according to their own personalities and interests. To know more about which quilt suits your personality, look forward to the Personality Quiz coming soon from BuDa Folklore!



                                              Participant Joan Guest Feeding her quilt

When everyone gathered together in celebration of quilts made and unmade, finished and to come, content with the joy of being in community and weaving beautiful memories for three days, the apprehension that many felt on the first day was no longer visible. What remained now was a community of sisters, joined in their joy to work with their hands, being fun, silly, inappropriate, close and deeply connected with each other in ways that no one would have imagined a simple quilting experience could create.



Nirmalakka and Kalavva, loving guides, watched over the chaos with quiet content smiles, guided by the wisdom of their roots and steeped in the secret of connection that quilting can create. As everyone started to leave and thank them, they remained their ever-humble selves, superhuman in their stamina to work and help, and unwilling to hear any praise of their brilliance that any urban person would be in awe of.







 Nirmalakka and  Kalavva

As the house emptied and loving community went off to their worldly tasks, Savita Uday’s mind started ticking again. Our Roots are vast and the need for them to take hold in modern soil is urgent. With a beautiful workshop finished, there is more work to be done…





























 Quilters and the BuDa team after the workshop




  

  

Sunday, January 11, 2015

Much awaited quilting workshop!


3 Day Quilting Workshop in Bangalore




Journeying on the River Route

                                      

                                                      

Journeying on the River Route
An excursion on the Sharavati River
February 3rd to 7th 2015
Honnavar, Uttara Kannada




We at BuDa Folklore are very excited to send out this call to students  across schools and colleges for a memorable Study Tour on the Sharavati River. As part of the River Route Programme, students will be able to experience:

  •  journey across the forgotten route of the Sharavati river, once a busy river route in Portuguese times. An Italian world traveler, Pietro Della Valle took a similar route in the Sharavati on 14th October, 1622 and has left behind a very interesting account of his journey. 
  • Beautiful views in the heart of Nature as we trek, ride by boat and travel from on end of the Sharavati River to the Arabian Sea
  • Historical sites of Gersoppe/Nagre and Haigunda, relatively untouched and unexplored places reminiscent of the long-gone past that give the air of mystery and adventure
  • Interaction with and learning from the Tribes of Uttara Kannada, who live in ways that are closely connected to the river. Students can experience and learn local techniques of various arts and occupations
  • Five memorable days of fun and deep immersion in the nature and culture of Uttara Kannada, with loving hospitality from everyone you encounter


Join us along the river on a journey to two historical islands, the tribe of the river Sharavati, the folk culture, the food, the hospitality, boat-ride, the arts, crafts, livelihood. 


         To become a part of the river - flowing, meandering, swaying in the powerful current..      
To see the power, the calm and the surrender of the river.
   
Come Be, the Sharavati River.





About BuDa

BuDa Folklore is a part of 'Janapada Vishva Prathishtana', an NGO based in Honnavar, of Uttar Kannada. The region is rich in natural beauty, biodiversity and culture. The team at BuDa Folklore has their roots in education, anthropology and community development.

BuDa believes in experiential learning and ascertains that all Study Tours involve a balanced mix of head, heart and hands, with an awareness of learning from all sources, whether or not they are commonly considered knowledge. An important factor that sets BuDa apart is that the local tribes play a major role in the organisation. They facilitate learning in a way that is beautiful, inclusive, surprising and deeply memorable for students.

To know more about the Study tour, please contact budafolklore@gmail.com 
                                                or call 08762400175



Shedi art -Hanmi ajji from the river tribe 


Wednesday, January 7, 2015

Traditional hand quilting workshop in Bangalore - 4th edition Invitation



Traditional hand quilting workshop in Bangalore - 4th edition Invitation

Nirmalakka


Mark your calendars! Its official.. Finally, BuDa Folklore is announcing the long-awaited Quilting Workshop! Nirmalakka will be here from Uttara Kannada to present the 3-Day Quilting Workshop in Bangalore.

Quilts and other cloth-based narratives are part of many cultures. Nirmalakka is a Master Artisan and has been associated with BuDa Folklore for many years. She will not only share her techniques and patterns in the process of stitching this traditional art, but also share her customs and colourful heritage with you. These have been passed down from mothers to daughters from generation to generation.

Now you too have the opportunity to join Nirmalakka, and with her guidance, you also can appreciate this age-old, magnificent tradition, while weaving your own stories through fabric. Please join us—whether you are a novice or an expert, in quilt creations. You will enjoy spending time with Nirmalakka and making a mini-quilt of your own.


The details are given below. Please contact us directly for further information and registration. Due to the intimate, hands-on process of quilting, we do have limited space; however, we would love for you and your friends to join us.
The details of the workshop are given below:

The Art of Quilt Making with Nirmalakka—3-Day Workshop
Date: January 24th ,25th ,26th 2015
Time: 10am - 5pm
Venue: #117, Vakil Garden City, Near Talagattapura Police Station, Kanakpura Road, Bangalore

Please send an email if you are interested and for more information on this workshop.

Friday, November 1, 2013

Angadi bail Volunteers ....!!


What a journey................!!

Kiran Pawar..

  Photos:Nima Parekh 



the beautiful western ghat forests, the fresh n cold water from the streams, the sun rise, the sun set, the fireflies, the fog, the star filled skies, the leeches, the baby king cobra, the fake leopard footprints, and all those beautiful birds. Appaji's maruti, Amma's hair therapy paste, our own little hut, the wooden logs we used for a bridge, the firewood chulha, the food we cooked, the kerosene lamps, the big black ants, the banana leaves, the people we met, the places we went, the waterfall, the rain, all the digging n shovelling, and most importantly, you guys. You guys, i love so much. who knew, such a bond could be made? Someone should write a song on this




Where do we go next?  i'm missing waking up at four am and blabbering aimlessly with whoever it was sleeping next to me.







Where are we heading to?
Just the last ten days I spent in a forest where human intervention is close to nil, and where nature's beauty blew my mind off. I cannot begin to describe how beautiful it was, and how happy everyday i lived there made me.
And now, here I am, back to my home, to this world which we have made. and all i see is smoke n all i hear is the noise from crackers. And my heart aches. That beautiful place, who wouldn't want to live in a happy place like that?
Just a thought. where are we heading to?







Sunday, August 11, 2013

Take me to the Ocean - Sea Route :

Shibumi trek -2
                       Write up and Photos : by Poornima Travelling Sukumar 
                                           Volunteer at buDa folklore
           Our journey for the beach trek began. We reached an estuary.





Where the river meets the ocean. “A river seems a magic thing. A magic, moving,    living part of the very earth itself, and when it meets the ocean...it is breathtaking."






Focused ......!









Just seeing an estuary, and the lives of fishermen on the banks of the river, and the beach side is a great learning experience.
















“The most important reason for going from one place to another is to see what's in between, and they took great pleasure in doing just that"











Our trek started from the  the river Aghanashini  where it merges into  the mighty Arabian  sea .











Most of us, I suppose, are a little nervous of the sea. No matter what its smiles may be, we doubt its friendship. ~H.M. Tomlinson







...Passing through rocky paths can be quite forgotten once you see that the rest of the path is grass. It was such an experience to be at the edge of the hills where the waves were roaring and we could see the endless horizon!
















               Paradise beach, truly looks and makes you feel like you are in paradise.









Of  course! what is a beach trek without getting into the water! “A fragrant breeze wandered up from the quiet sea, trailed along the beach, and drifted back to the sea again, wondering where to go next. On a mad impulse it went up to the beach again. It drifted back to sea.”









                            we were headed to Half moon beach. 








We hitch hiked boats from Half moon beach, to reach our final destination Kudle Beach.  The water was so welcoming and the sands were cold...








There is nothing more soothing than watching the ocean touch the sky, and the grandest of them all... a sunset.







                                                         Quiet time. 







“I spent uncounted hours sitting at the bow looking at the water and the sky, studying each wave, different from the last, seeing how it caught the light, the air, the wind; watching patterns, the sweep of it all, and letting it take me."










            Reminiscing about the all the simplicity. the basics of being human.









The shack we lived in had a beautiful wall painting, which narrated the mythological story about how Gokarna became an important place.





Last but not the least... the beach trek, was more of an experiential learning. We spoke about how it is essential to walk through these places, and feel the sea, and a sense of belonging in the hands of nature. How small we are in front of mother nature. 


“It is good to have an end to journey toward, but it is the journey that matters in the end.” ― Ursula K. Le Guin

Traditional Baskets and other weaving crafts with natural fibers in Uttara Kannada-western Ghat region

  While  weaving craft with natural fibers  is one of the widest spread crafts in the history of any human civilization, it is hard to say j...